Saturday, November 12, 2011

Making science happen...

11.11.11 has come and gone.
Time for an etching update!
After completing the Shamisen edition I've been drawing and grounding plates and working on other projects. It's the kind of work that is totally unsatisfying because it's all of the in-between busy work in order to do the stuff you really want to do. Of course, it's necessary--and the process alone is enjoyable. It just can't compare to the feeling of results.
I started the Science plate by doing a simple line etch to get it to a 'coloring book' state. Then I made a rig and soft-grounded the plate. Registering the paper sketch to line up with the line-etched plate underneath was a bit of a headache, but an important one. I used a ballpoint pen, since it has given me a nice range in the past.

Put it in the acid for 20 minutes and came out with a really amazing looking piece of zinc.

Inked and printed two. One on proof paper, one on nice paper and the value was consistent.
Below is the original line etch from state #1... with state #2 beside it. Easily the hugest single leap I have made between states. I wanted high contrast. I wanted black, since all of my previous plates have been weak in that regard. I got both. It's a little messy still. A few things to scrape and burnish and touch-up. But frankly, I'm ecstatic.

It's definitely a print meant to be seen closely. From a distance, it is bold, but largely indecipherable. I'm totally cool with that. After I make those few tweaks I want to experiment with mixing some inks. I might try some greys or blues... or what I REALLY want to try, which is a blue to green gradient from top to bottom. Anyway, really pleased and excited to have an almost finished plate in two states. I am officially a soft-ground fangirl.

I also have a 9x9 inch zinc plate that I'm building up with soft-ground and abstract layers of ground. My Prof wanted me to do something really free and different. I'm at three layers so far. I'll etch in a layer or two more and then finally clean and print the thing. That one will be like unwrapping a present. I have absolutely no idea what it looks like.

Still pushing through a bunch of projects. Unfortunately, I started having finger problems just in the last week. One spot on my index finger again... the place where it has recurred the most. I have been vigilant about taping my fingers and wearing gloves and being careful. So, I think that officially rules out the previous possibilities of a latex or metal allergy.

So, just trying to breathe, stay positive about it... and deal.
The HTML/CSS class has helped me feel better about it actually. Learning a ton. I'm still at a very basic level, but compared to what I could do a few months ago.... yeah, no comparison.
Excited to print that abstract next week. Monday hopefully. And play with coloring For Science!

For the helluvit, here is my current assignment. We've just learned the box model and div elements. This is the first time I haven't gotten my CSS to validate. It's an issue with the two background images and I'm still trying to resolve it. Apple pie sounds so good right now.

Riiiiiiiiighhht. Okay!
Peace.

Monday, November 7, 2011

Buried...

So.Much.Work.To.Do.
I MUST FINISH ALL THE THINGS.

Tuesday, October 11, 2011

Rock'n'Roll...

She rocked the shamisen and I rolled the print transparently for the pseudo-Chine-collé look. Starting to flatten some of the burr now, but it's not bad! Pretty happy with the result. Next plate, ahoy!

And so much for the sunny weather all week. Even on Monday the day's forecast said cloudy with sun... it turned into multiple downpours and a lot of drizzle. Yeesh!
Today was hot though. Tomorrow will be hotter.

Friday, October 7, 2011

For Science!


Drawing drawing drawing drawing...

Lots of drawing happening recently. My method of finger-taping is thus far keeping things fully functional and therefore inspiring a lot of work. Multiple plates taking shape, multiple drawings, sketches for paintings, and projects ongoing. I'm in over my head, but for the first time in a long time--it feels really good.

------------->
This is the idea I'm building for my 'Science' plate, minus the color I added in Photoshop. It might be too daunting to make it an etching, but I would like to try. I still want a DNA double-helix in there, so there will be some erasing and re-drawing before I move to metal. It would likely need a line etch first for the linear stuff, soft-ground drawing for everything else, and an aquatint with super careful stopping out to get what I want. Eek.

The Shamisen drypoint is going well. She has some simple background architecture behind her now and a few alterations. We started doing a pale yellow-ish transparent roll on the plates to give a slightly Chine-collé effect. The prints look great. Our Prof was feeling restless about the double-drop with aquatint color and decided to forfeit that part of the project. I'm alright with that. Ha. I'll scan one of my Shamisen editions next week.

Lots to do this weekend. Drawingdrawingdrawing and the first quarter of my HTML/CSS class is wrapping up, which means coding my site for the final. The recent rain has also uplifted my mood, but the forecast-ed sun for the week will also be helpful as I walk to and from class with plates and art stuff.

The King Ridge GranFondo was lovely. Volunteering at packet pick-up late Friday night and Saturday morning (4am) was hard. Half an hour of sleep between those shifts and the overall fast-paced social blitz were brutal on me. Haven't come down with a cold from it yet, but it really wouldn't surprise me. It was fun watching thousands of cyclists take off at the start though! As long as I'm able I'll keep volunteering for the Fondo. Great event.

Oh yeah... my 23" monitor is so glorious I can't even describe it. I have essentially doubled my workable screen area. It's incredible. *weeps with joy*

Peace.
じゃね!