I should be in bed. 3:17am. Eep!
Printing lab in seven hours, which means I have to be awake in five. Been up all night figuring out blogs and potential website domains. The HTML/CSS class has definitely shoved me in the direction of trying to get a real site up for my work... in a more commercial sense. So, yeah. The domain will be changing here, among other things.
Left: Wild abstract plate that took four long acid baths with soft-ground and different things painted out. Not sure what I'm going to do with it yet. Printed one proof with orange, which was kind of interesting.
Right: Science plate edition!
The main reason I'm going to the open lab is to print this puppy. I think I'm at six so far. Should get four more... if I don't sleep through the lab hours. Must sleep! The goal is four more Science editions plus I want to try a transparent roll with it. A different look. AND THEN, if I have time (and some extra brain cells) I want to do a couple more iterations of those deep bite abstract prints I did in the Spring. I had a vision of rolling them up with pale gray and an orange linear gradient stripe... can't shake it until I try it. Might not work with ink, but it looked awesome in Photoshop. We'll see.
Need to update my Flickr photostream and put that to better use.
Aigoo, so much to do!
Oh, and my fingers are still problematic... I'm just... yeah... pretty fed up...
Thanksgiving was nice, by the way. ^^
Bedtime!
Friday, December 2, 2011
Wednesday, November 23, 2011
O,O
Nothing like finding out in the paper that a bunch of cops were in the neighborhood because a dude stabbed his father to death down the street.
Aaaaalrighty then.
Aaaaalrighty then.
Saturday, November 12, 2011
Making science happen...
11.11.11 has come and gone.
Time for an etching update!
After completing the Shamisen edition I've been drawing and grounding plates and working on other projects. It's the kind of work that is totally unsatisfying because it's all of the in-between busy work in order to do the stuff you really want to do. Of course, it's necessary--and the process alone is enjoyable. It just can't compare to the feeling of results.
I started the Science plate by doing a simple line etch to get it to a 'coloring book' state. Then I made a rig and soft-grounded the plate. Registering the paper sketch to line up with the line-etched plate underneath was a bit of a headache, but an important one. I used a ballpoint pen, since it has given me a nice range in the past.
Put it in the acid for 20 minutes and came out with a really amazing looking piece of zinc.
Inked and printed two. One on proof paper, one on nice paper and the value was consistent.
Below is the original line etch from state #1... with state #2 beside it. Easily the hugest single leap I have made between states. I wanted high contrast. I wanted black, since all of my previous plates have been weak in that regard. I got both. It's a little messy still. A few things to scrape and burnish and touch-up. But frankly, I'm ecstatic.
It's definitely a print meant to be seen closely. From a distance, it is bold, but largely indecipherable. I'm totally cool with that. After I make those few tweaks I want to experiment with mixing some inks. I might try some greys or blues... or what I REALLY want to try, which is a blue to green gradient from top to bottom. Anyway, really pleased and excited to have an almost finished plate in two states. I am officially a soft-ground fangirl.
I also have a 9x9 inch zinc plate that I'm building up with soft-ground and abstract layers of ground. My Prof wanted me to do something really free and different. I'm at three layers so far. I'll etch in a layer or two more and then finally clean and print the thing. That one will be like unwrapping a present. I have absolutely no idea what it looks like.
Still pushing through a bunch of projects. Unfortunately, I started having finger problems just in the last week. One spot on my index finger again... the place where it has recurred the most. I have been vigilant about taping my fingers and wearing gloves and being careful. So, I think that officially rules out the previous possibilities of a latex or metal allergy.
So, just trying to breathe, stay positive about it... and deal.
The HTML/CSS class has helped me feel better about it actually. Learning a ton. I'm still at a very basic level, but compared to what I could do a few months ago.... yeah, no comparison.
Excited to print that abstract next week. Monday hopefully. And play with coloring For Science!
For the helluvit, here is my current assignment. We've just learned the box model and div elements. This is the first time I haven't gotten my CSS to validate. It's an issue with the two background images and I'm still trying to resolve it. Apple pie sounds so good right now.
Riiiiiiiiighhht. Okay!
Peace.
Time for an etching update!
After completing the Shamisen edition I've been drawing and grounding plates and working on other projects. It's the kind of work that is totally unsatisfying because it's all of the in-between busy work in order to do the stuff you really want to do. Of course, it's necessary--and the process alone is enjoyable. It just can't compare to the feeling of results.
I started the Science plate by doing a simple line etch to get it to a 'coloring book' state. Then I made a rig and soft-grounded the plate. Registering the paper sketch to line up with the line-etched plate underneath was a bit of a headache, but an important one. I used a ballpoint pen, since it has given me a nice range in the past.
Put it in the acid for 20 minutes and came out with a really amazing looking piece of zinc.
Inked and printed two. One on proof paper, one on nice paper and the value was consistent.Below is the original line etch from state #1... with state #2 beside it. Easily the hugest single leap I have made between states. I wanted high contrast. I wanted black, since all of my previous plates have been weak in that regard. I got both. It's a little messy still. A few things to scrape and burnish and touch-up. But frankly, I'm ecstatic.
It's definitely a print meant to be seen closely. From a distance, it is bold, but largely indecipherable. I'm totally cool with that. After I make those few tweaks I want to experiment with mixing some inks. I might try some greys or blues... or what I REALLY want to try, which is a blue to green gradient from top to bottom. Anyway, really pleased and excited to have an almost finished plate in two states. I am officially a soft-ground fangirl.I also have a 9x9 inch zinc plate that I'm building up with soft-ground and abstract layers of ground. My Prof wanted me to do something really free and different. I'm at three layers so far. I'll etch in a layer or two more and then finally clean and print the thing. That one will be like unwrapping a present. I have absolutely no idea what it looks like.
Still pushing through a bunch of projects. Unfortunately, I started having finger problems just in the last week. One spot on my index finger again... the place where it has recurred the most. I have been vigilant about taping my fingers and wearing gloves and being careful. So, I think that officially rules out the previous possibilities of a latex or metal allergy.
So, just trying to breathe, stay positive about it... and deal.
The HTML/CSS class has helped me feel better about it actually. Learning a ton. I'm still at a very basic level, but compared to what I could do a few months ago.... yeah, no comparison.
Excited to print that abstract next week. Monday hopefully. And play with coloring For Science!
For the helluvit, here is my current assignment. We've just learned the box model and div elements. This is the first time I haven't gotten my CSS to validate. It's an issue with the two background images and I'm still trying to resolve it. Apple pie sounds so good right now.
Riiiiiiiiighhht. Okay!
Peace.
Monday, November 7, 2011
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